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No Borders Picks Up SAMA

No Borders News

Love SA Entertainment
Simon Hodgson

Last night, 26 May saw the first night of SAMA23 taking place at Sun City.

The night belonged to Khaya Mthethwa. The former Idols SA winner picked up two trophies for his album The Dawn in the Best Contemporary Faith Music Album and Best Live Audio Visual Recording categories.

It was a good night for gospel as the late singer S’fiso Ncwane won the Best Selling Digital Artist for his album Ngipholise Nkosi; and gospel ensemble Joyous Celebration’s Joyous 20 DVD, earned them the Best Selling DVD gong.

The stage is set for a showdown between two of the most nominated artists as Kwesta and Amanda Black took home one award apiece. Kwesta triumphed in the Best Collaboration Award category with his monster hit Ngud’ while Amanda collected the Best R&B/Soul/Reggae Album for her release Amazulu.

They go into the main awards show tomorrow night with four nominations each.

In a SAMA first, Nigerian reggae/dancehall singer Patoranking won the inaugural Best African Artist.

Other notable winners from tonight are Hugh Masekela for Best Adult Contemporary Album for No Borders; the young dynamic duo Soul Kulture for Best African Adult Album for Ngeliny’ilanga; and Nduduzo Makhathini with Umgidi Trio and One Voice Vocal Ensemble for Best Jazz Album for Inner Dimensions.

In the technical awards, Sjava’s Isina Muva won the Best Produced Album of the Year; Arno Carstens’ Aandblom took Best Engineered Album of the Year; while Best Music Video of the Year went to Miss Pru for Ameni.

Here is the full list of winners. The main awards show will be live on SABC 1 tonight at 8pm.

Best Adult Contemporary

Hugh Masekela – No Borders

Best African Adult

Soul Kulture – Ngeliny’ilanga

Best Alternative Music Album

Native Young – Kings

Best R&B/Soul/Reggae Album

Amanda Black – Amazulu

Best Contemporary Faith Music Album

Khaya Mthethwa – The Dawn

Beste Pop Album

ADAM – Hoogtevrees

Best Jazz Album

Nduduzo Makhathini with Umgidi Trio and One Voice Vocal Ensemble – Inner Dimensions

Best Classical and/Instrumental Album

Charl du Plessis Trio – Baroqueswing Vol. II

Best Traditional Music Album

Dr Thomas Chauke Na Shinyori Sisters – Shimatsatsa No 34: Xiganga

Best African Artist

Patoranking – Patoranking

Best Live Audio Visual Recording

Khaya Mthethwa -The Dawn

Best Collaboration

Kwesta – Ngud’

Best Music Video of the Year

Miss Pru – Ameni

Best Produced Album of the Year

sjava – Isina Muva

Best Engineered Album of the Year

Arno Carstens – Aandblom 13

Best Remix of the Year

Vic – Wena Wedwa (MusicCraftMAN Mix)

Best Selling DVD of the Year

Joyous Celebration 20

Best Selling Digital Artist

Sfiso Ncwane – Ngipholise Nkosi

Best Selling Album of the Year

My Hart Bly In n Taal – Refentse

CAPASSO Best Selling Digital Download Composer’s Award

Sfiso Ncwane – Ngipholise Nkosi

Bra Hugh withdraws from US Shows April / May 2017

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Press Release

Hugh Masekela was advised by his physician not to travel to the US following a recent fall in Morocco in which he dislocated his right shoulder. The injury was not initially thought to be too serious, but after further assessment it emerged that the fall aggravated old shoulder and back injuries which Hugh sustained in 1993, (when he suffered ruptured tendons and ligament damage in both shoulders after falling through a hole in the stage during a performance at the JHB City Hall).

The medical advice was therefore to remain in SA in order to undergo an immediate operation to repair the back tendons, and then extended rest, in order not to risk any future permanent damage.

He will thus not be allowed to perform for at least 4 weeks

This affects the following shows:

The 27 April Jazz Epistles Performance at Town Hall, New York, NY will continue with Abdullah Ibrahim and Ekaya with Lesedi Ntsane.

The 29 April Jazz Epistles Performance at the New Orleans Jazz Festival will continue with Abdullah Ibrahim and Ekaya with Lesedi Ntsane.

Lesedi Ntsane is a talented young South African trumpet player, who recently graduated from the New School for Jazz and Contemporary Music in New York. Bra Hugh recommended Lesedi Ntsane as an exciting musician of amazing ability for whom he has tremendous respect.

The 30 April Jazz Epistles Performance at the Atlanta Jazz Festival has been cancelled.

The 4 May Tribute to Louis Armstrong at the New Orleans Jazz Festival will continue as scheduled, featuring Nicholas Payton, James Andrews and Dr Michael White.

Bra Hugh is deeply disappointed that he cannot perform at these shows and hopes to be back on stage by the end of May. He looks forward to seeing his loyal US fans when the Jazz Epistles return in 2018.

UKZN Honours Masekela with Doctorate

UKZN Doctorate

Fanele Mhlongo
SABC

The University of KwaZulu-Natal (UKZN) has conferred honorary doctorates on African Music Legend, Hugh Masekela, and international environmental activist, Dr Kumi Naidoo.

Masekela has been awarded a Doctor of Music Degree for his outstanding contribution to the music industry, while Dr Kumi Naidoo was recognised for his outstanding contribution to the South African struggle for democracy, the international fight against climate change and the struggle against poverty and injustice.

Dr Naidoo is the launch director of the Pan African social movement, Africans Rising for Justice, Peace and Dignity.

Masekela was honoured during a graduation ceremony of the College of Humanities. He is a popular African music legend whose campaign through music has contributed to the fight for a free South Africa.

Masekela is a world-renowned musician and a political struggle icon. He has mentored a generation of producers and musicians who have contributed to the teaching and practical knowledge of jazz and popular music in South Africa and globally.

He says mother tongue-languages should be prioritised.

“As you open a new door to the rest of your lives, I request you to consider a number of issues that pertain to restoring excellence of African heritage back into our lives without abandoning the best elements of what we inherited from the western world. Volumes of African language, history and literature books lay covered with dust and ticks in basements and warehouses all over the continent and parts of Europe,” says Masekela.

When asked about the political situation in the country and the recent #FeesMustFall campaigns at tertiary institutions, Masekela says a number of things need more attention in the country.

“Many things must fall in South Africa not just fees, many things because I think that we have to recapture what was fought for and what many people died for in this country.”

Meanwhile, Dr Kumi Naidoo who has been recognised for his contribution to the South African struggle for democracy has condemned violence.

Naidoo says people in rural areas are still lagging behind in terms of service delivery which leads to community protests.

Naidoo, who was also active in the struggle against apartheid in South Africa during his student years, has called on young activists to speak up.

Naidoo and Masakela say they are humbled at being recognised by academia for their contribution to South Africa’s struggle for freedom.

No Borders Launch Live at the Lyric

No Borders Launch

Kaya FM 95.9 and Bassline Live Present another iconic show on Friday 14th April as we host the legendary Hugh Masekela live on stage at The Lyric Theatre, Gold Reef City. Originally based at Bassline’s old Newtown venue, the series has happily moved and in doing so, set the bar on entertainment higher than ever before.

The Home of the Afropolitan, Kaya FM is proud to be partners in presenting the internationally renowned and phenomenal Hugh Masekela. The Jazz maestro presented his latest album No Borders exclusively on Kaya FM in November 2016. Listen out for exclusive interviews leading up to the showcase.  Bra Hugh will also be performing tracks from the album live for the very first time at this event, making it an even more exclusive experience.

The Kaya Fm & Bassline Live series experienced yet another sold-out show as Thandiswa Mazwai blew the audience away with her “The Belede Experience” performance in March, seeing her jazz roots come alive in spectacular fashion. The series has historically grown from strength to strength, culminating in the past two shows being sold out sometime before performance date, and we predict with Bra Hugh it will be a similar, if not even faster rush for the box office.

Hugh Masekela needs very little introduction to South African audiences.  A world-renowned flugelhornist, singer and defiant political voice, his eclectic musical style is infused with jazz and mbaqanga, combining his gravelly voice and smooth horn sounds with an ever-present concern for his home and country, having lived 30 years of his life in exile.  In his career, he has released well over 40 albums and at the age of 77 he released his brand new work ‘No Borders’, featuring extraordinary collaborations with diverse artists including Zimbabwean legend Oliver Mtukudzi, J Something from pop group Micasa, Themba Mokoena, Salema Masekela and Sunny Levin. He has been celebrated in numerous ways over the years for his outstanding work and contribution to arts and culture and is currently using his global reach to spread the word about heritage restoration in Africa.  “My biggest obsession is to show Africans and the world who the people of Africa really are”, he explains, and it is this commitment to his home continent that has propelled him forward since the beginning of his career.

We are honoured to be able to have this icon join our family of superstars in the Kaya FM & Bassline Live Presents series. Book now to avoid missing out!

Sunday 11 June – 5pm.Tickets: R300 – R750.  Book at Computicket.  No door sales.

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Bra Hugh Vouches for African Unity

Ghana Inauguration

21 January 2017
Sowetan Live
Lesley Mofokeng

 

I ask Bra Hugh if he’s on Twitter. He replies: “No, but I’m on Whatsapp.” I’m defeated.

He notices my disappointment and we burst out in laughter.

He may not be as tech-savvy and on top of social media trends as I would like him to be, and at 77 it’s kind of understandable. But Hugh Masekela is not shy to express himself.

We begin our quick chat in the comfort of his offices in chic Parkhurst, Johannesburg north. He’s just got back from Ghana where he performed at the inauguration of the new president Nana Akufo-Addo.

“He’s an old friend that I met through Fela [Kuti] in the 70s, because he was Fela’s lawyer. And I’ve watched him for 40 years aspire for this office because his passion for Ghana is so deep, and it’s a pleasure to finally see him get it.

“He lost twice in the last 10 years, the last time he lost by 20000 votes, but now he won by a million and half votes. Sometimes patience helps.”

Masekela is one of the greatest living musicians of our time, and he continues to release music. His newest is No Borders. He makes no apologies for being a proponent of Africa without borders.

“The music speaks for itself. You can feel geographically where we are most of the time. I’m very obsessed with cancelling the borders in people’s minds and let them get a sense of who they are.

“The Hugh Masekela Heritage Foundation does work in the historical space. Our people don’t know anything about themselves.

“Cancelling borders in our heads and nationalism will help us to get rid of xenophobia, especially if we knew our history because most of us re makwerekwere (we are foreigners) historically. I tell people when I’m on stage that us, the Masekelas taught the Batlokwa how to till the land, but originally we are the Munyepawu and come from Zimbabwe.

“Even in our praise singing it’s there.”

The album is an eclectic mix of sounds and influences, a nomadic journey from Cape to Cairo, Dakar to Addis.

He recorded Been Such A Long Time Gone first some 40 years ago on the album I’m Not Afraid, which had the original Stimela and The Marketplace.

“It’s like a trip from the desert right down. At the end it says right across the river Limpopo white soldiers standing in the road, then pop goes my dream, but I didn’t put that in because that was an apartheid reference.”

Congo Woman, is a delightful tribute to the DRC, the land of a thousand dances. In it he celebrates the dances – kwassa kwassa, rumba and others.

“I was inspired by Papa Wemba. There is a great album of his called Bakala Di A Kuba. In it he has this song where he sings with four other Congolese and they exchange parts, so I called my nephew and Kabomo and Tresor to put in the Congolese feel.”

Other feature are JSomething on Heaven In You, Oliver Mtukudzi on Tapera and Themba Mokoena on The Rooster and KwaZulu. It is produced by Kunle Ayo

Perhaps his most important recording is In An Age with his son Selema, known as Alekesam in Hollywood.

“He’s been a musician since he was a kid. When he started school he played the clarinet, the saxophone and has always been able to sing. He got together with Sunny Levin, who is my best friend’s son and they formed a group and Sunny wrote the song and they asked me to rap on it and put something in an African language, so I chose a Tswana verse.

“I’d like this album to have an impact on whoever is listening to it, a curiosity about Africa, and African history and the whole borders situation. It should awaken interest about our origins. And I hope they enjoy the music.”

In three months Masekela turns 78.

“I feel very fortunate. I was bewitched with music when I was a child and I ended up living in it. I never planned to get where I am today. I just went into it for the passion. And it brought me halfway around the world a few times.

He is thankful to have met some of the greatest people in the world thanks to his music.

“I was helped by a lot of people, especially Miriam, Father Huddleston, and Belafonte, Dizzy Gillespie and Miles Davis. I was able to go to exile for 30 years and still come back home to see the change and the freedom of our people.

“I think we are in a disappointing era in our lives. What we hoped for for our freedom is not really taking place. I really hope everyone had the chances and opportunities that you and I have, at least to live a half a decent life. The truth is that the majority of our people are poor.”